EgoB on EgoB (plus “We Are the Dead” video) (updated)
For those revisiting this post, note the update following the original text…
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This post is a follow-up to yesterday’s feature of EgoB’s “Space Oddity” cover. That was one of three Bowie covers he released last week, all of which I thought deserved individual attention on this blog. Today I’m posting the rarely- covered “We Are the Dead,” and if you want to see “Lady Grinning Soul,” click HERE.
EgoB is a friend of the blog and I shot him some questions about his covers— he gave me more of an answer than I was expecting! What follows comes from the artist himself, and provides fascinating insights into his approach and technique:
Revisiting David Bowie: A Fresh Take on Classic Hits
As a producer and vocalist, my journey with David Bowie’s music has always been one of admiration and deep respect. Previously, I delved into some of his more recent works, but today, I’m excited to share my latest endeavor: covering three of his early masterpieces – “We Are the Dead,” “Lady Grinning Soul,” and the iconic “Space Oddity.”
Why These Songs?
Bowie’s early catalog is a treasure trove of innovation and emotion. “We Are the Dead” and “Lady Grinning Soul” showcase his ability to weave intricate stories with haunting melodies, while “Space Oddity” remains a timeless classic that captures the imagination of listeners across generations. Covering these tracks was a conscious choice to explore and reinterpret the raw, vulnerable essence of Bowie’s formative years.
The Vocal Approach
In tackling these covers, my aim was to convey vulnerability without slipping into exaggeration. Bowie’s voice carries a unique emotional weight, and replicating that delicacy was both a challenge and a privilege. I sought to honor his vocal style while infusing my personal touch, bringing a fresh yet respectful interpretation to each song.
The Art of Remastering
One distinctive aspect of my approach to covers is my dedication to remastering. Rather than simply re-recording the vocals, I extract stems from the most obscure, unique, and often overlooked versions of the tracks I can find. This allows me to bring out nuances that might otherwise go unnoticed.
In remastering, my goal is to enhance the existing elements without overshadowing the original composition and vibe. This often translates to a bassline that hits just a bit harder and a heightened clarity in the background sounds. The result is a different immersive listening experience that stays true to Bowie’s vision while offering something new.
A New Perspective on Bowie’s Legacy
Through these covers, I hope to offer both longtime fans and new listeners a fresh perspective on Bowie’s early works. Each track is a testament to his genius, and it’s been an honor to breathe new life into these songs. I hope they resonate with you as much as the originals have with me.
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Thanks, EgoB for sharing those insights. And more importantly, thanks for the great music!
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8/2/24 Update: This post received an unexpected amount of feedback, mostly positive, with a few critical comments. Regarding the “We Are the Dead” cover—EgoB, a master of distortion and electronic modifications, amplifies the gruffness in his singing. Unlike Bowie’s original vulnerability, EgoB’s version portrays a tough guy brought to heel by ominous forces, adding a new dimension to the song. This approach enriches the half-century-old piece by avoiding a futile attempt to mimic Bowie.