Albums I’d Rather have than the Shel Talmy Recordings, Part 3: Millennial Bonus Tracks and B-Sides
This is the third of three posts in which I am proposing Bowie albums I’d have rather had released than the recently announced The Shel Talmy Recordings. The Shel Talmy Recordings promises to include ten previously unreleased tracks along with others that we originally released in 1965, but not well remembered. While I’ve ordered the album, my hopes are not…
Albums I’d Rather have than the Shel Talmy Recordings, Part 2: Guest Appearances
Yes, I’ve ordered the upcoming compilation of Bowie songs produced by the recently deceased Shel Talmy in 1965, which includes ten previously unreleased tracks. I can’t complain, but I’m not expecting this collection to have a lot of replay value (there’s a reason these songs have been around for more than 60 years and several have never been released before)…
Albums I’d Rather have than the Shel Talmy Recordings, Part 1: Live Covers Omitted from Studio Albums
When I started composing this post, my intent was to articulate why I’m not overly excited about the pending release of The Shel Talmy Recordings, 21 tracks recorded by Bowie in 1965, including ten that have not previously been released. But the more I was thinking about it, the more my mind went to albums I’d rather see released. I’ve…
What is the Great Long Lost Bowie Album?
I was recently reminded that Tin Machine II is absent from major streaming services like Spotify and Apple Music due to rights and masters issues originating from its original 1991 label, Victory Music, and its subsequent corporate acquisitions. In that it is a complete David Bowie (well, Tin Machine) album that had been widely available in the past and no…
Lazarus lives again, without Bowie
One of the more original Bowie-related projects to come to my attention recently is And We’ll Travel On, which (perhaps ironically) is a mashup album by Lydia Valentino inspired by Bowie’s play, Lazarus. The album combines popular songs drawn from Valentino’s own musical interests with newly recorded performances of dialogue adapted from the play. While it includes vocals by Sophia…
Listening to Bowie Albums in Order: Hours… through The Next Day
The idea of this exercise of listening to each Bowie album in order is not to analyze each album but just to record my reaction. I am writing about the albums in batches, but I am experiencing them as a continuation, one after the other. That said, the outstanding observation of listening to these four is that they now sound…
Brixtone Never Plays to the Gallery
Saturdays are the days I typically post featured interviews on my YouTube channel. These interviews usually take the form of me asking one or more guests questions, sometimes in person but usually via video. Often, these interviews take weeks or even months to evolve from an idea in my head into the post that you might watch or hear. Indeed,…
Listening to Bowie’s Albums in Order: Black Tie White Noise to Earthling
I have a theory that I’ve tried to articulate, to limited success, in a few interviews: that had Let’s Dance been followed by Black Tie White Noise, and everything that happened between the two albums never happened, Bowie’s reputation would never have taken the hit that it hadn’t recovered from by the time Black Tie White Noise was actually released…
Listening to Bowie’s Albums in Order: Labyrinth Soundtrack through Tin Machine 2
Bowie contributed to many soundtrack albums, especially in the 1980s. In most cases he recorded one song for the album (as with, for instance, Cat People or The Falcon and the Snowman), but a few are different. The soundtrack for Absolute Beginners includes three songs recorded by Bowie, while the soundtrack for Christiane F. is a (pretty good) Bowie compilation…
Listening to Bowie Albums in Order: Lodger through Tonight
Starting with Hunky Dory, Bowie seems to have made a concerted effort to include at least one song on each album that hints at what the next album is going to sound like. That, for the most part, ends with Scary Monsters, my favorite album. I know, I know, there’s an argument that can be made that Bowie did this…
Listening to Bowie’s Albums in Order: Young Americans through “Heroes”
Although I have been writing my comments about listening to Bowie’s albums in order in batches of four albums at a time, that wasn’t by design. The experience itself is far more continuous. By the time I got to Young Americans, while that album stands apart in many respects, I also feel like Bowie had firmly established the pattern of…
Listening to Bowie Albums in Order: Ziggy Stardust through Diamond Dogs
While I have listened to every Bowie album many times, this is the second of a series of blog posts about my immediate reaction to listening to them in order. —- While there are connecting threads between Bowie’s first four albums, they are really very different from one another. This is less so for the next four, which really form…
Listening to Bowie’s Albums in Order: David Bowie through Hunky Dory
I think, at some point, I've listened to all Bowie's studio albums in order. I just don't remember when I did this, so I have decided to do it again. Or maybe for the first time. In any case, my intent is to keep a little journal of my reaction. This is, after all, a blog. I should note that,…
Basking in KillerStar’s Afterglow
Featuring David Bowie band alumni Earl Slick, Mike Garson, Gerry Leonard, Mark Plati. Plus The Webb Sisters. KillerStar, the band founded by Rob Fleming and James Sedge, have released their new album The Afterglow alongside a video for the focus track “Proud,” marking their latest project featuring several of Bowie’s longtime collaborators. The album includes contributions from Mike Garson on…
David Bowie Cover of the Week: Marc Lowe’s Live Multi-Media Outside Tribute
Marc Lowe has produced what he believes to be the only multimedia solo performance built around Bowie’s 1. Outside project and the related material from its predecessor, the unreleased (but easily found on the internet), Leon Sessions (aka Leon Suites). This isn’t something Bowie himself ultimately realized despite once exploring a theatrical adaptation of the characters with theatre director, playwright,…
On Heathen
My interview tomorrow is with Don Klees, author of On Track: David Bowie, 1983–2016. Don had been on the show last year, and while his book covered pretty much the entirety of the second half of Bowie’s career, I felt like I wanted to talk with him at greater length about Heathen (2002). The interview was recorded in October, and…
Coming tomorrow: Legendary Drummer Denny Seiwell Interview!
An unexpected consequence of this project of mine—the blog, the YouTube show and whatnot—which is primarily focused on rock music, is that as a result I’ve been listening to more jazz. Interviewing the likes of Donny McCaslin, Henry Hey and David Power has made me want to listen to more of their music, and much of their music is jazz…
Coming Saturday: The Return of the Fantastic Voyage Podcast!
From 2021 until earlier this year, Bowie fans were treated to an excellent podcast called Fantastic Voyage. Hosted by brothers John and Jesse Malloy out of Winnipeg, the show featured discussions about every Bowie album in chronological order, plus episodes about tours, movies, and more. The show gained an international audience and consistently high ratings—I was a regular listener. But,…
We’re the 90s Underrated?
I recently responded to somebody else’s Facebook post asking if Bowie’s ’90s output is underrated. My response was a concise version of some of the themes I have been trying to explore through some of my interviews, and I thought it was worth adapting here. To begin with, I certainly think 90s Bowie is underrated. I am tempted to go…
Ranking the Rankings
Just for fun I Googled “Bowie Albums Ranked.” As you might imagine, I got a very long list of results. So, I wanted to see what patterns emerged and, as you might imagine again this turned into a bigger exercise than I was thinking. I didn’t look at all the lists, and not all of them ranked the same albums…
Why I’m not planning to review Lexi’s album
The surprise release of Xandri, Lexi Jones’ debut album, has dominated the Bowie space in media over the past few weeks. So, first, yes, there is a Bowie space in media. As part of this blog project I do a weekly Bowie-related news story roundup, and there are usually quite a few stories to populate the feature. But it seems…
David Bowie Cover of the Week: Marc Lowe’s “There is No Hell”
I find that I don’t so much listen to a Marc Lowe album as much as inhabit it. Marc is an American living in Japan who I first encountered via one of his more conventional Bowie covers more than a year ago. I have since come to know him to the extent that’s feasible via email and the occasional Zoom,…
McCaslin, Bowie, “Beyond Now” and Beyond
In the wake of Blackstar (2016), David Bowie’s final album, saxophonist Donny McCaslin and his band—bassist Tim Lefebvre, drummer Mark Guiliana, and keyboardist Jason Lindner—became known not just in jazz circles but to a global audience. Their distinctive sound helped shape Bowie’s last statement—indeed, while today Blackstar is widely regarded as one of Bowie’s greatest works, in many ways it…
KillerStar Comes Alive on Live at the 100 Club
I can now say that KillerStar is a great live band. I base this on having seen the band live, in New York a few months ago at the Cutting Room and now also having been listening to their new album, Live at the 100 Club. For me, personally, the “liveness” of the band has taken on an added dimension…
Julian Shah Tayler expresses heartbreak (with a little help from Bowie alumni) in Honne/Tatemae
I never met David Bowie, but if I had, I might have thanked him first for introducing me to musicians I’d never have otherwise discovered—even before thanking him for his own music. Julian Shah-Tayler is just such an artist, and while, sadly, we will never get another genuinely new Bowie album, we are fortunate to have the opportunity to discover…
Marc Lowe to release Bowie tribute album and will return to this blog in new interview Saturday!
Marc Lowe is a multi-talented musician and educator living in Japan. A "friend of the blog," Marc and I have had several discussions about Bowie, usually related to the 1995 album 1. Outside. Indeed, Marc recorded an entire tribute album inspired by 1. Outside called Lost in the Minotaur's Lair last year, and is slated to release a second album,…
Mark Plati on the Making of Toy: Exclusive Interview Coming Saturday
Mark Plati is a name familiar to anyone who has explored David Bowie's catalog during one of his most experimental periods. Working closely with Bowie from Earthling (1997) through Reality (2003), Mark's contributions spanned production, engineering, mixing, programming, loops, samples, and playing bass, guitar, and keyboards. Mark wasn’t just in the studio; he was an integral part of crafting Bowie’s…
Julian Shah-Tayler’s “Hunger City” and the enduring warning of “Diamond Dogs”
The timing of Julian Shah-Tayler’s recording of the entire Diamond Dogs album could not be better. The album not only turned 50 this year, but also served as Bowie’s warning about the dangers of fascism’s allure. Seems like that’s something we, especially those of us in the US, should be contemplating at this moment in time. Julian will be joining…
Bowie “Hours…” remixes EP commentary
I like that we’re in the midst of a series of Hours… related content releases in celebration of the album’s 25th anniversary. The remixes EP that is the main occasion for this commentary follows up a live EP (click HERE to see my commentary on that). And, I’ll say I’m better for having listened to it. But I’m not exactly…
Live from the Manhattan Center ’99 EP Commentary
Although I likely will never think of Bowie’s 1999 album, “Hours…” as one of his best, I have been listening to it and relating to it more in recent years as I have been getting older. The recent release of Live From The Manhattan Center ’99 Digital EP to commemorate the album's 25th anniversary has brought fresh attention to three…













